【商業】東倉建設-余霖 | ACC SHOP ? 1/1000

設計 06-20

DESIGN CONCEPT

女性飾品題材本質上是一場關於自我的演示或掩飾，因此場景必須被戲劇化。

自戀及脆弱乃至略有傷感的場景貫穿著明確理性的強質序列，並由這樣的組織通過貫行的自由與不確定感中獲得關於美的複雜體驗。

The female accessorize theme is essentially a demonstration or disguise about the themselves, so the scene must be dramatized. Narcissistic and fragile and even sad scenes run through a clear rational sequence, and by such organizations through the space of freedom and uncertainty is to get a complex experience of aesthetics.

舞蹈家ZOEY沿著場所中設置的人行動線進行即興的現代舞表演。在所記錄的大約1000張照片的串聯視頻中再現了多層交互的人流關係。而每一張靜態照片也都來自與這1000張照片的堆棧。1/1000，指的是單一成果與過程的對照，和由此聯想開的全部。

Dancer ZOEY Performs improvised modern dance performances along the flow hierarchy set up in the place. The multi-layer interaction flow is reproduced in the serial video of about 1000 pictures recorded. And every static photo is also from the stack of these 1000 photos.1/1000,refers to contrast of a single result and the process，and thus association of all.

玻璃是近代建築材料中情緒最豐富的產物，因為透明性，是一種實際的虛無感與可以觸碰的危機感。同時，它還存在一個隱性的巨大工藝優勢，即無法不精確的成品構成。在一個對工程落地速度要求極高同時希望保持較好工藝品質的項目里，它近乎是不二選擇。

Glass is the most abundant product of modern building materials, because transparency is a real sense of nothingness and has a sense of crisis that can be touched. At the same time, it also has a potential great craft advantage, that is, the product can not be inaccurate. In a project that requires high efficiency but also desire to maintain a better quality, it is almost the best choice.

在一個快速變化的產品流里，產品本身無法進行有效的材質，形式，顏色，風格的歸類，唯一能組織各類飾品的事物是尺度與情緒。它類似一個空間化的產品目錄，通過既定的尺寸進行第一印象上快速擴初式的查閱。

In a fast-changing product stream, the product itself can not be effectively classified by their material, form, color and style. the only thing that can categorize all kinds of accessorize is the scale and mood. It uses space to categorize product, through the established size as first impression to reference.

我們試圖以更多元化的藝術因素，用更綜合表現方式，來探索一個空間作品的邊界，或者說是女性題材的情景邊界。並希望以抽象的場景語言與舞蹈語言結合所闡述的並非單薄的形式美感，而是更貼近當下的複雜的女性語言：危險與脆弱，自信與自省，懸浮與碎片化，自我主義與環境折射。

We try to explore the boundaries of a space use diversified artistic factors with a more comprehensive manifestation., or to say the scene of the female subject scene.And hope that the abstract scene language and dance language combination is not just elaborated in the form of thin beauty,But moreclose to the current complex female language：danger and fragility,self-confidence and introspection, suspension and fragmentation, egoism and environmental refraction.

時尚與消費主義轉瞬變幻，但鏡子和其內的事物從未改變。

Fashion and consumerism are changing, but them irror and what within remains.

特別鳴謝以下各位對此項目的不吝參與和幫助

Zoey | 曾瑩

Wu yue | 吳悅

Shishan Chan | 陳詩姍

203Y Dance Theater | 203Y現代舞工作室

東倉建設-余霖 | ACC SHOP

▼設計圖紙

▼設計師及公司介紹

余霖 (Ann Yu)

高級室內建築師,DOMANI東倉建設董事合伙人及創作總監,A&V桉和韋森藝術陳設創始人及創作總監。致力於室內建築設計與空間體感的商業實踐與當代實驗性空間設計硏究。

Ann Yu--senior interior architect, the Associate and CD(creative director) of DOMANI, founder and CD of A&V.

Committed to interior architectural design，generic business practice of space motion sensing and research of experimental space design.

關於東倉建設

DOMANI東倉建設成立於2005年，作為香港東倉集團中華地區總部基地坐落於廣州。DOMANI専業從事空間設計及與之相關的企業策劃、商業頋問和產品開發。立足服務於大中華區不同行業的前瞻性客戶，致力為市場提供最高水平的建築及室內設計専業作品。東倉對專業質素的把控極為嚴謹，項目出品連續多年囊括諸多國際賽事殊榮並成為亞洲地區頂級設計機構之一。

DOMANI was established in 2005 and owned by Domani Group Limited, with its headquarters based in Guangzhou. Domani specialises inspace design and related corporate planning ,business consultancy and product development.

Based on serving prospective customer in different industries, they are committed to provide the highest quality architectural planning and professional interior design works available. Domani has a strict control of the design quality and has become one of the most awarded enterprises of professional international design competitions in Asian.

▼項目概況

項目名稱 | ACC SHOP

Name | ACC SHOP

項目地點 | 中國廣東廣州

Location | Guangzhou,Guangdong Province,China

項目業主 | URBAN REVIVO

Client | URBAN REVIVO

設計師 | 余霖-東倉建設

Designer | Ann Yu DOMANI

編舞 | 曾瑩

Dancer | Zoey 203Y Dance Theater

撰文 | 余霖（中）、吳悅（英）