【獨家首發】Francesc Rife Studio | 廢棄工廠改造的Ricard Camarena藝術餐廳

DESIGN CONCEPT

西班牙巴倫西亞的RicardCamarena餐廳坐落在著名的歷史工業建築區中，Per amor a l』art發現了廢棄的Bombas Gens工廠，並將其改造為一座藝術中心。近三十年後，二十世紀三十年代的液壓泵廠已經獲得了新生，同時兼顧了藝術中心和餐廳。

Set into the residual space of a major architectural restoration, Ricard Camarena Restaurant inValencia, Spain respects the industrial architecture of a notable art decobuilding. Bombas Gens remained a dilapidated, abandoned factory until recently converted into a centre of art by Fundació Per Amor a l』Art. Almost three decades later, the 1930』s hydraulic pump factory has been given a new life,accommodating both the Art Centre and the Restaurant. 

餐廳由FrancescRifé設計事務所與米其林廚師Ricard Camarena共同打造。原本多餘出來的空間意外地變成了新的餐廳，用餐空間被分為兩個主要部分：可以難得地看見工廠牆壁的一片三角形區域，以及位於五個翻新過的頂棚下方的吧台。

Designed by Francesc RiféStudio, the restaurant is a result of the collaboration with Michelin starredchef, Ricard Camarena. The design challenge was to create a space from thenon-space. The original architecture dictates the new layout, splitting the restaurant into two main spaces; the dining room occupies a triangularfootprint, while one of the factories five refurbished sheds encloses the bar. 

入口處的核桃木接待台和黃銅落地燈引人注目。將狹窄的通道轉變為藝術畫廊，入口處收藏了10個藝術作品，伴隨顧客著遊客進入餐廳。隨著腳步的深入，發現了為室內帶來自然光的露台，視野得到無線的延伸。

The entrance with its Walnut reception desk and brass Flowerpot lamp is a modest introduction to them agnitude of the space beyond. Transforming a narrow passage into an artgallery, the entrance plays host to a collection of 10 artworks that accompany visitors through to the dining room. Expanding out, the dining room leads to alight filled terrace. A wall of glass pivot doors allows the restaurant to befilled with natural light and extends the space outdoors.

牆壁和天花板的不同平面都使用到美國核桃木，形成空間的第二個「皮膚」。與磚牆形成對比，粗糙的紋理被定格的木框架內，混凝土地面和木質造型在燈光映照下更加柔和。餐廳的規模和形式與眾不同，吸引顧客的同時毫不隱瞞的展示整個工廠的歷史。

Integrating different planes of the dining room, walls and ceiling fuse together via a skin ofAmerican Walnut timber. Its smooth texture, curvaceous grain and deep huedramatically juxtapose against one of the factory』s exposed, brick walls.Iconic to the space, the rough texture of this feature wall is framed by customtimber lattice and is theatrically emphasised by horizontal illumination thatgrazes its earthy surface. Running the length of the dinning room, the wallimparts scale and form beyond the customary to seize the attention of patronsand express the industrial past of the premises.

吧台和休閑區高度達到8米，這是一個被修復的空間。保留了磚和Melis Pine圍牆。可容納多達25人，Flos的燈飾和一些建築師設計的傢具，彼得拉灰色大理石，吧台邊緣使用核桃木，上方是拋光黃銅掛架。

With a maximum ceilingheight of 8 meters, the bar is a restored space that preserves exposed brickand Melis Pine enclosures. Used as a waiting room, aperitif space and areserved area accommodating up to 25 people at once, the bar features F2 lampsby Flos and furniture designed by the architects, much like the furniture throughout the rest of the project. Wrapped in Pietra Grey marble, the service counter is edged in Walnut timber and sits below polished brass hangingshelves. 

形式不一的柵格主要運用了水平和垂直的構件元素。不僅用來隔音，對窗戶處理並結合到擱架中，將餐廳的兩個獨立區域結合在一起。視角的不同而形成一種不透明的錯覺。

Lattice detail usedthroughout the interior is composed of vertical and horizontal slats arrangedintently to highlight the restaurants various features. Used as a featurecladding, a window treatment and incorporated into shelving, the lattice tiestogether the two separate zones of the restaurant. 

Francesc Rif

é 恢復了一個廢除的工廠，賦予了新的個性和面貌，傳遞著無限的感官體驗。 偉大的設計是物質的碰撞，保留了Bombas Gens 藝術中心的整體風格，充滿驚喜的空間設計。

Achieving a great senseof lightness, Francesc Rifé Studio have recovered an emblematic space ofdisuse, and given it a new personality and purpose. The magnificently designedinteriors are a collision of materiality,respectfully preserving the characterof Bombas Gens Arts Centre. Needless to say, this project is going straight onthe bucket list.

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