【軟裝】千尋軟裝 | 鄭開橄欖城67號樓洋房 ? 設計的減法與生活的加法

設計 09-28

DESIGN CONCEPT

一生就是一生經歷。

Life is a kind of experience.

閱歷豐富的人有兩種反應。一類人做加法，頑童心，戀物，他們的每一件藏品都是一段回憶，一段心情。藏品越豐，人生越豐美。另一類人做減法，隨著經歷越多，對人越加溫和，對己卻越加嚴格。知識、原則、品位，都在歲月中建立起穩定清晰的界限。

There are two kinds of people who have rich experiences. Oneprefers addition, this kind of people have childlike innocence and great attachment to objects. Each of their collection stands for a memory and a mood.The more the collection they have, the more fulfilling and productive life they live. The other one prefers subtraction, with the increase of experience, they become more gentle to people, but stricter to themselves. Knowledge, principles and tastes, all have established stable and clear boundaries through the years.

鄭開橄欖城項目是為後一種人設計。

Zhengkai Olive City is designed for the latter.

在這個項目中，千尋為空間賦予了一種獨特的性格，不媚俗的勇氣，冷調的優雅，無需炫耀的自信。平凡中的非凡，舉重若輕。

In this project, Qianxun gives unique characters to thespace, boldness which is not gaudy, cold elegance , and low-key confidence . Itis an ordinary project with extraordinary design.

簡約的風格配合著灰、白色調的乾淨利落。細密的條紋、個性的幾何暈染出獨具特色的地毯，配合著柔和的暗橙，韻味優雅。而生機濃郁的綠色裝飾物，讓空間冷暖交融。縱觀之下，整個空間不缺溫度，也不失風度。

Simple style with gray and white tones, the space appearsclean and neat. The unique carpet has fine stripes and personalized geometricpatterns with a soft dark orange, creating an elegant charm. And the vivifyinggreen ornaments make the space blending with coldness and warmth. In general,the entire space is not lack of temperature, nor grace.

富有生活情趣的吧台設計，模糊了餐廳與客廳的邊界，讓整個空間共生融合。餐廳採用經典的圍合圓桌，以及柔和的散狀光源，黑色木紋與白色裹墊的碰撞也顯得溫馨十足。

The bar counter design is a spice of life, which blurs the boundary between the dining room and living room, so that the entire space isan integration. The dining room adopts a classic round table, as well as soft diffuse light sources, where the collision of the black wood grain against the white mat even becomes pretty warm and sweet.

主卧的色調遵循與客廳相同的視覺感受，簡潔、柔和，不突兀。白色、灰色、暗橙相互交融。配合燈光點綴，帶來些許神秘感。衣帽間與主卧室相連，用落地式的書櫃作為巧妙的隔斷，衣帽間內特別開闢了書房空間，讓男女主人都可以盡享私人時光。

The tone in master bedroom follows the simple, soft, and harmonious visual effect of the living room. White, gray and dark orange blend with eachother. Together with the light embellishment, it brings some sense of mystery.Connected to the master bedroom, yet cleverly separated from it with a floor-stylebookcase, the cloakroom includes a study space where the owners can enjoy their private reading time.

公主房的設計則要活潑得多。馬卡龍的色彩和半透明質感的裝飾，奠定整體的可愛、愉悅的感受。一面牆紙採用可愛的圖畫裝飾，並與懸掛式的牆面裝置構成互動，溝通了二維與三維的夢幻感；相對的另一面牆紙選擇灰白橙的撞色處理，避免空間顯得過於童稚。

The design for princess room is much more lively. The macarontranslucent decorations lay an overall basis of cute and pleasant feeling. Onewall is decorated with lovely wallpaper which interacts with the hanging wallinstallation, forming a two-dimensional and three-dimensional dreamlike sense;while the opposite wallpaper adopts a contrasting color thread with gray, whiteand orange, in order to avoid a too childish space.

客房的整體感受舒適而莊重，同時以局部的藝術細節中和，提高放鬆感。

The overall feeling of the room is comfortable and solemn,while the partial art details neutralize the atmosphere to improve the sense of relaxation.

與客廳相比，地下會客室的陳設顯得更為豐富，令娛樂與交流都更加放鬆。

Compared with the living room, the furnishing decoration ofthe underground reception room is richer, making it more relaxed to have fun or communicate here..

在定義空間功能時，設計師為業主設定了興趣空間，安放業主的藝術修養與娛樂趣味，也讓空間不僅是成為展示，而更富有生活氣息。

When defining the space functions, the designer has designedan interest space for the owners to present their art accomplishment and tastes.In this way, while being a display space, it has a strong breath of life.

千尋軟裝藝術 | 鄭開橄欖城67號樓洋房

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