2018倫敦建築節：城市生活的外立面

最新 06-24

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今年6月的倫敦建築節(London Festival of Architecture)是歷年來最大的盛會，超過400多項活動，覆蓋了整個倫敦城，建築節有核心活動和邊緣活動，包括演講和討論、工作坊、建築安裝、建築巡遊、家庭活動、建築製作競賽等等，還有特別的節日亮點活動。倫敦建築節活動的精華部分集中於四個節慶樞紐——包括倫敦橋(London Bridg)、泰晤士南岸的九榆樹(Battersea Nine Elms)、皇家碼頭(Royal Docks)和倫敦城(City of London)。

（重）建倫敦：生活在工業中

(Re)working London: An exhibition about living with industry

Egret West工作室是倫敦一些最富於變化的城市框架背後的設計者，他們做了一個關於倫敦未來如何生活在工業中的展覽。最近，新倫敦計劃引發了關於工業如何融入城市的討論；在倫敦有一大片隱藏的、低密度、單一文化的工業區域，這是一次很好的創造城市新形象的機會。這次展覽探討了城市形象的可能性，聚焦了工作室最近的一些作品。

Studio Egret West, the designers behind some of the UK』s most transformative urban frameworks, are hosting an exhibition about the future of London living with industry. The new London Plan has recently opened the debate about how industry should be integrated with the city; this is an opportunity to create a new identity for very large, previously hidden areas of London dominated by low density, monocultural industrial use. Our exhibition looks into the possibilities for this identity, focusing on some of the Studio』s recent works.

郊區形象

Suburban Identities

倫敦附近的克里登一直跟單調的郊區生活聯繫在一起，是倫敦邊緣的一個普通的地方，人們可以買得起房子，給孩子提供成長環境。但是，這些形象正在改變，因為如今生活在倫敦市中心，對大部分城市人來說都完全負擔不起。

克里登為代表的郊區，根據小區特性和人們的支付能力，通過這些地區的密集化，為解決城市住房短缺提供了真實的機會，同時使得郊區變得更多樣化和生機勃勃，適合生活和工作。

Croydon has long been associated with the monotony of suburban life; an ordinary place on the edge of London where houses are affordable and families grow up. But these identities are changing, as living in the central boroughs of London is now so dramatically unaffordable for the vast majority of the city』s population.

The suburbs, and Croydon, in particular present a real opportunity to tackle the city』s acute housing shortage by carefully managing the densification of these places in a way that is true to their character and affordability, whilst making them more diverse and vibrant places to live and work.

巴特西發電廠的樹屋

The Treehouse at Battersea Power Station

「樹屋」由倫敦Kyson工作室設計製作，整個六月都在九榆樹展出。那是一個對比的空間，可以在裡面探索、嬉戲，或者片刻沉思。「樹屋」是每個人都可以體驗的建築展示館，向個人、城市和身份提供了新的觀念。

在建築上，「樹屋」是對傳統概念的抽象，使用的材料綜合了燒杉板和煙熏的鏡子，彷彿調色板一般，探索了形狀、光和質地的原則。「樹屋」以一系列對比，表達了這些理念：固體與虛空、黑暗與光亮、粗糙與光滑。這是一個流動的展示館，煙熏鏡面的外表意味著，「樹屋」能立刻融入新的環境。該裝置在巴黎東京宮首展，最近在翻新後的英國皇家美術學院開幕展上亮相。

The Treehouse is designed and crafted by members of London practice Studio Kyson."Treehouse" takes residency in Nine Elms for every day throughout June. It is a place of contrasts, a space in which to explore, to play, or simply take a moment to reflect. The Treehouse is a pavilion for everyone to experience architecture, and offers a new perspective on the individual, city and identity.

Architecturally, the Treehouse is an abstract take on a traditional concept. Its material palette of charred timber (Shou Sugi Ban) and smoked mirrors, explores the principles of form, light and texture. The Treehouse expresses these with a series of contrasts; solid and void, dark and light, rough and smooth. A nomadic pavilion, the reflections in the smoked mirrored exterior mean the Treehouse is immediately embedded in its new context.

The piece premiered at Palais de Tokyo in Paris and recently at the opening of the newly refurbished Royal Academy.

下一代設計展亭

Next Generation Design Pavilion

每年舉辦的「下一代設計展亭」旨在激勵年輕一代從事建築相關的工作。這個展亭是許多教育工作室的志願者努力的結果，他們將倫敦的中學生聚集在一起。

這個倫敦中學生設計作品的展亭已經是連續第三年在聖詹姆斯教堂舉辦。今年獲獎的設計概念體現了一個敏感的隱喻：展現過去、現在和未來的層疊板創造了萬花筒般的視覺效果，邀請參觀者抬起目光，更加註意到周圍的自然元素。

Every year Scale Rule』s Next Generation Design Pavilion aims to inspire a younger generation to work in construction-related professions. The pavilion is a result of a series of educational workshops led by volunteer industry professionals, bringing GCSE students together from across London.

For the third consecutive year, Scale Rule will be giving St. James』 Churchyard a new focal point by realising a pavilion design conceived by GCSE students from around London. This year』s winning concept responded to the theme of identity by proposing a sensitive metaphor: layers representing past, present and future will create a kaleidoscopic oculus, inviting visitors to take a moment to direct their eyes up and become more aware of key natural elements around them.

蛇形畫廊展亭2009-2018

Serpentine Pavilions 2009-2018

從2000年開始，倫敦蛇形畫廊每年都會委託一位世界著名建築師設計夏季戶外展亭，用於舉辦夏季活動，包括電影、舞蹈、音樂、詩歌朗誦和現代藝術展覽。蛇形畫廊的建築項目每年六月開始，持續三個月。

扎哈·哈迪德設計了第一個展亭，歷年來為公園設計過畫廊的傑出設計大師包括法蘭克·蓋瑞、奧拉維爾·埃利亞松、奧斯卡·尼邁耶等。從2009年開始，攝影師達妮卡·庫斯都會為蛇形畫廊展亭攝影，紀錄下它們的美學與技術成就，以及它們與公園的自然環境與參觀者如何融為一體。2018年，接受蛇形畫廊委託創作的建築師是弗里達?埃斯科韋多，作品展現了光、水和幾何形狀的微妙相互作用，她的庭院設計融入了墨西哥和英國建築的材料和歷史，尤其是倫敦格林尼治天文台的本初子午線。

弗里達?埃斯科韋多為蛇形畫廊設計的2018年夏季展亭

The Serpentine Gallery in London has commissioned internationally known architects to design a summer Pavilion since 2000. The Pavilions provide a shelter for summer events, among others, film, dance, music, poetry, and contemporary art.The architectural program of Serpentine Galleries takes place in June each year and lasts for 3 months.

Zaha Hadid designed the first pavilion followed by Daniel Libeskind & Cecil Balmond,Toyo Ito & Cecil Balmond, Oscar Niemeyer, álvaro Siza & Eduardo Souto de Moura & Cecil Balmond, Rem Koolhaas & Cecil Balmond & Arup, Olafur Eliasson & Kjetil Thorsen & Cecil Balmond, Frank Gehry, SANAA, Jean Nouvel, Peter Zumthor & Piet Oudolf, Herzog & de Meuron & Ai Weiwei, Sou Fujimoto, Smiljan Radi?, SelgasCano, Bjarke Ingels Group (BIG), Diébédo Francis Kéré.

Danica O. Kus has been documenting Serpentine Pavilions since 2009. In her photography work, she illustrates the uniqueness of each Pavilion, the new architecture, and design that people can experience. Inspired by their high aesthetics and technological achievements she explores the created atmosphere of the space, the connection to nature within the park and connection to their visitors.

Architect Frida Escobedo, celebrated for dynamic projects that reactivate urban space, has been commissioned to design the Serpentine Pavilion 2018. Harnessing a subtle interplay of light, water and geometry, her atmospheric courtyard-based design draws on both the domestic architecture of Mexico and British materials and history, specifically the Prime Meridian line at London』s Royal Observatory in Greenwich.

戶外座椅

Benches

倫敦建築節展示了許多由嶄露頭角的建築師和設計師製作的公共座椅。許多建築學和設計系的在校生和畢業生，以及新的從業人員提交了公共座椅設計，力圖使城市的公共場所變得富有生氣，幫助這座城市成為工作、生活和旅遊的最佳地點。這些座椅被安置在泰晤士河沿岸、倫敦橋附近的建築節中心地區。

左右滑動查看下一張

The London Festival of Architecture has unveiled a series of new one-off public benches, designed by emerging architects and designers. Across the Thames, a further bench has been installed outside London Bridge station in partnership with Team London Bridge, at the heart of another of the festival』s 2018 focus areas.

左右滑動查看下一張

Architecture and design students, recent graduates and emerging practices from across London were invited to submit a bench design to enliven the city』s public realm. The new benches showcase London』s brilliant emerging architects and designers, and are a public gift that help the City remain an exceptional place to live, work and visit.

建築工地

Building Site

藝術裝置「建築工地」質疑了倫敦公共空間所有權的變化，號召公眾思考城市化進程對當地社區和生態環境帶來的影響。這項藝術裝置佔據了很大一塊公共土地，來創造一個新的「建築工地」——標誌著倫敦的過渡時期。

該裝置受到倫敦城市形象的靈感激發，具有來自立陶宛文化的強烈的詩意敘事，將人類的經驗和自然緊密聯繫在一起。「建築工地」拉起的圍欄，阻隔了人們經過卡特巷花園的通道和視野。同時，它為打開門進入其中的人們提供了神秘而無限的叢林般的經歷。

The art installation BUILDING SITE questions the changing ownership of public space in London and invites the public to reflect on the consequences that urbanisation causes to local communities and natural ecosystems. The artwork occupies a significant piece of public land to create a new "building site" - a signature mark for London in transition.

The installation is inspired by London"s identity and has a strong poetic narrative deriving from Lithuanian culture that tightly links human existence to the one of nature. Fenced off with construction site hoarding, the BUILDING SITE changes the way people normally move and perceive the Carter Lane Gardens. Meanwhile, it offers a mysterious infinite forest-like experience for those who claim their right to open the doors and enter.

人際關係

Connections

2018年，英國任命了一位「孤獨部長」。倫敦有1400萬居民，是一個複雜的人際和文化網路，經常以看不見的方式編織在一起。有時候，人群是最孤獨的地方。

「人際關係」項目設在格蘭比廣場，主辦方邀請所有人參觀展亭，他們可以沉浸在人際交流的氛圍內，參加各種免費活動，或者在主辦方提供的桌椅前吃午飯。

從6月14日至30日，這裡會舉辦一系列活動，將來自不同領域的倫敦人以出乎意料的方式聯繫在一起，活動包括樂器表演、繪畫工作室、跳蚤市場等。

In 2018 the UK appointed a Minister for Loneliness. With 14 million inhabitants, London is a complex web of communities and cultures interwoven in often invisible ways. Sometimes the loneliest place to be is in a crowd.

The 「Connections」 project welcomes all to visit the pavilion in Granby Place where they can either soak up the spirit of community, attend one of the many free events that will be hosted there, or simply enjoy the space to eat their lunch on the tables and chairs provided.

Between June 14th and June 30th a series of free for all activities will be programmed in the space, curated with the intention of connecting a diverse cross-section of Londoners in unexpected ways, from acoustic performances, drawing workshops to swap shops.

組合式集裝箱裝置

G-tainer Installation

這項活動由G-SMATT歐洲、倫敦建築節和英國皇家交易所合作舉辦，邀請其他合作者展示最新的「智能玻璃」和「數碼媒體外立面」的技術創新。長達一個月的項目包括放置一個單層的「智能玻璃」裝置，展示銀行交匯路口附近的倫敦建築節相關媒體內容。這個裝置能在表面展示特別設計的視頻內容，可以同時使用其內部空間，並向外面的人群播放藝術、廣告等信息。

This exciting and pioneering venture is a collaboration between G-SMATT Europe, London Festival of Architecture, the Royal Exchange and selected other partners to display the latest technological innovations in 『Smart Glass』 and 『Digital Media Facades』 in an accessible and public forum. The proposal is to instigate a month long project consisting of placing a single story G-Glass structure, displaying associated media content to coincide with other LFA activity around Bank Junction. This temporary installation will provide a focus point and will display specially designed video media across the surface. This will enable stakeholders to use both the internal space and display promotional, artistic and engaging content to draw interest and communicate with those viewing externally.