金屬網簾金屬窗帘金屬隔斷簾六角網 魚鱗網 拉伸網 擴張網 沖拉網金屬幕簾——金屬裝飾網——幕牆裝飾網——金屬網
金屬網簾金屬窗帘金屬隔斷簾六角網 魚鱗網 拉伸網 擴張網 沖拉網純粹的六邊形立面——金屬裝飾網——幕牆裝飾網——金屬網
「生如夏花之絢爛。「我們不難發現一棵樹的繁盛與落寞，花開與花落，一天中光與影從屋子裡掠過的軌跡，以及四季的變換。它們是生命存在的痕迹。而我們是否觀察過一個建築的開始與結束，密斯曾說：」建築始於兩塊磚的仔細搭接。「似乎，建築更像一個野獸，在它誕生不久便已發育完畢，投入使用，履行它的職能。我們也會給「建築」取各種各樣的名字，」博物館」、「辦公樓」、」火車站「、「住所「、「餐廳」等等不勝枚舉。但目外誕生的時候，我想它從未真正被定義。
「Let life be beautiful like summer flowers.」It』s not hard to find the prosperity and desolation of a tree, flowers bloom and fade, the path of light and shadow from the house in one day, and the alternation of four seasons. They are all traces of life. However have we ever observed the beginning and end of a building? Mies Van De Rohe once said:」Architecture began with a careful overlap between two bricks.」 It seems that architecture is more like a wild animal, which has been fully developed, and put into use and performed its functions since it was born. We also name 『architecture』 in many ways, museums, offices, railway stations, residences, restaurants, and so on. But when MOA was born, I don』t think it was ever really defined.
▼建築外貌，view of the studio
目外是一個臨時建築。建築的初衷是高目事務所想在西岸為自己建一個分支工作室。起初，目外其實取名西岸別院，由於建築師是個圍棋愛好者，高目是圍棋中的術語，而目外和高目在圍棋里都處於比較「超然」的位置，故將西岸別院更名為目外。對於這個可能只有5-10年壽命的「建築」，建築師其實並未期許太多。「既然長久不了，那就讓它生如夏花之絢爛吧！」當一根根纖細、精準的鋼構件仔細搭接在一起後，目外的骨架已然豐盈。在西岸的日出日落里，它就這麼靜靜地佇立，等待靈魂的到來。建築師望著這個房子的骨架，感受到的是生命之初所蘊含的那種強大力量。「這個房子可以成為它想成為的任何樣子。」
MOA is a temporary architecture. The original intention was to build a branch office of Atelier GOM in the West Bund. In the beginning, it was actually named West Bund Courtyard, because the architect is a Weiqi lover, and GOM(Gaomu) is the term used in Weiqi, besides, MOA(Muwai) and GOM(Gaomu) are all in a more detached position in Weiqi, hence the architect changed its name into MOA. For this building perhaps only lasting 5-10 years, the architect didn』t expect too much. 「Since it can』t last long, then let it be beautiful like summer flowers!」 When the thin, precise steel members were carefully joined together, the skeleton of MOA was full. In the sunrise and sunset of the West Bund, it stood in peace and waited for its soul to come. The architect looked at the skeleton of it and felt the power of the beginning of life. 「This building can be whatever it wants to be.」
▼建築骨架，the skeleton
▼軸側圖，axon
建築師在造這個房子的時候可以說是很「隨意」、「散漫」的，他希望目外儘可能地「輕」，能夠無保留地去感受風、感受雨水、感受陽光。目外是一個包容的建築，它甚至對飛鳥與流浪貓狗都是接納、 歡迎的。為了讓光充斥在建築中，空間的頂部界面和垂直界面均採用具有良好透光性、漫反射的材料。陽光板將太陽直射光線過濾，留下的是柔和的漫射光；瓦楞金屬穿孔板讓光與風自由地穿過，也讓樹和雲變得迷離;所有鋼構件的尺寸被控制在十公分以內，建築師當時迷戀拱頂設計，而拱這一形式更有利於結構受力，於是就用熱彎鋼管搭了這個筒拱骨架，拱頂最開始掛的是白色廣告布，後來更換成了透光良好的穿孔鋁平板。也許，正是由於這個建築的「輕盈」與「脆弱」，目外傳遞了一種富有魔力的瞬間，一種建造與非建造之間的微妙平衡。當我們體驗它的時候，我們感到寧靜、自由。
When constructing this building, we can say the architect is quite 「casual」 and 「undisciplined」. He wants it to be as light as possible, and could feel the wind, the rain, and the sun without reserve. MOA is a comprehensive architecture, it welcomes everything even flying birds, stray cats and dogs. In order to fill the building with the light, the top and the vertical interface all adopt the material with good light transmission and diffuse reflection properties. The lighting board filters the direct sunlight, and leaves the soft diffuse light. The corrugated metal perforated plate lets the light and the wind pass through freely, and also makes the trees and clouds become blurred. The dimensions of all steel members are controlled within 10cm, the architect was obsessed with the vault design then, and the arch is more conducive to the structural design, so the architect built the arch frame with the hot bending steel pipes. The roof was hung with white advertising banner and later replaced by the perforated aluminum plate which has good light transmission properties. Perhaps, just because of the lightness and fragility of this building, MOA impresses us with a magic moment, a delicate balance between construction and non-construction.When we experience it, we can feel free and peace.
▼拱形屋頂廣告布與穿孔鋁板的置換，the roof was hung with white advertising banner and later replaced by the perforated aluminum plate
▼拱形骨架，the arch
建築師希望目外的空間能儘可能的通透，盡量不用實牆來分割空間，而人處於一個空間里也能清楚地感知到周圍其他空間的存在。所以在目外，我們可以看到金屬帘子成為空間的隔斷，其良好的耐候性和透光性非常適合目外的空間，而有些半私密的空間雖用了實牆分隔，卻也饒有興緻地在牆上開了幾個圓洞。 院落、露台與室內都是相通。這樣設計的結果就是，目外造好後，大部分空間都是「四面漏風」的。這是個不太符合常規的做法，建築師卻說；「我能把一年中最好的時間享受了，這個空間就值了，就如同你在最美的年華里遇到最美的人一樣。」
The architect hopes that the space of MOA could be as transparent as possible and tries not to divide the space with solid walls, while people are in a space, they can clearly perceive the existence of other space around them. Therefore, we can see that the metal curtain has become a space partition here, and its good weather resistance and light transmission properties are very suitable for MOA spaces. For some semi private spaces, though separated by solid walls, the architect opened several round holes in the wall with interest. Courtyard, terrace and indoor are interlinked. The result of this design is that most of the space is 「four sides air leakage」 after being built. This is not an ordinary practice, however the architect explains , 」if I can enjoy the building in the best time of the year, then the space is worth it, just like you have met the most beautiful person in your most beautiful years.」
▼空間不設實牆，without solid walls
▼
▼空間的封閉與開敞，open and close
?陳顥
雖然目外有著自己的設計哲學，但建築師仍然很認真地考慮了屋面排水等構造問題，坡屋頂會將雨水導入到建築四周以及南北的兩個院子里。屋面採用瓦楞直立鎖邊聚碳酸酯陽光板，相比於材料防水，這種節點防水更為可靠，每一塊陽光板會在相接處翻起一個直邊，最後再蓋一個扣板鎖邊，扣板也將陽光板固定在屋面構架上，同樣，部分外牆也使用了這種材料構造。目外的地面採用了黑色水泥基耐磨地坪，在靠近院落的某些易於積水的位置，建築師還設計了樹狀的導水槽以便將積水成功引向地漏。
Although MOA has its own design philosophy, the architect still takes many technical issues seriously, such as roof drainage issue and so on. The sloping roof would bring rainwater into building surrounding and two courtyards in the North and South, and the roof material selects the stand seam corrugated polycarbonate lighting board. Compared to the material waterproof, this node waterproof method is more reliable. Every lighting board will turn up a straight edge, and then covered by a pinch seam. The pinch seam also fixed the lighting board on the roof structure. Also, some of the exterior walls are constructed with this material. The ground of MOA is made of black cement based wear-resisting floor, near some position easy to fill water, the architect also designed a tree shaped sink so that the water could be conducted to the floor drain successfully.
▼屋頂細部，roof details?張佳晶
建築師相信材料也是有生命的，很多材料完成了它們某一個階段的用途依舊可以重新被利用進入另一個生命循環。在目外，你會看到用不同顏色的舊門板拼貼而成的院落圍牆，咖啡館裡用舊的建築剖面模型作的桌子，用插座布線來裝飾的背景牆等等。大部分目外使用的建築材料都是低造價的，建築師想了很多巧方法，目標就是好看、好用、省錢。大門是整座建築花錢最多的一個部件，兩扇門花了一萬塊錢，材質是泡沫鋁板，一種環保回收材料，而為了將泡沫鋁板固定在角鋼門框里且隱藏固定螺栓等構件，建築師想了很多辦法，最後採用的是將兩塊泡沫鋁板夾心木板，將木板固定在門框上的方式。
Also, the architects believes that all materials have their own lives, many materials which have completed their uses at one stage can still be re-utilized into another life cycle. In MOA, you』ll see courtyard walls made of different colors of old door panels, a table made of old architectural section models in cafe, a background wall decorated with socket wiring and so on. Most of the building materials used in MOA are low cost. So the architect came up with many ingenious methods, the goal of which is to make the building good-looking, easy to use, and could save money. The gate is one of the most expensive parts of the whole building, these two doors cost ten thousand RMB in total. They are made of foamed aluminum boards, an environmentally friendly recycled material. In order to fix the foam aluminum board in the angle steel door frame and hide the fixed bolt and other components, the architect thought of many ways, and finally chose the method of the use of two pieces of foam aluminum sandwich board with wood panel filling, and then fixed the wood panel to the door frame.
▼舊物利用，reuse the old materials
▼咖啡館，cafe
▼泡沫鋁板固定在角鋼門框中，to fix the foam aluminum board in the angle steel door frame?張佳晶
▼牆面細節，details of wall
而這個房子是用來作什麼的呢？這個問題似乎到現在還沒有一個完整的解答。建築師留下了一個開放式的命題。目外分為兩層，一層入口處有一個咖啡館，其二層是一個工作間，南北各有兩個院子，而其餘大量的空間似乎一直都處於「未發育完全」的狀態。它雖有了晶瑩剔透的身體，一種優雅且包容的姿態，但接下來要發生的事件卻一點也不確定，辦個攝影展，來場音樂會，電影首映？都可以，就如同它剛出生時那樣，「這個房子可以成為它想成為的任何樣子。」在過去的兩年里，目外從未停止被改造，它隨時等待著被分解，進而被重塑。原本分隔院落的金屬帘子後來改造成了陽光板金屬移門，陽光依舊乘虛而入，但空間已經有了不同的表情。
So, what is the building exactly for? There seems to be no complete answer to this question. The architect left an open proposition. MOA is divided into two floors. At the entrance there is a coffee shop, above it is the workshop, and there are two courtyards in the North and the South. Except them, the rest of the space seems to be in an 「undeveloped state」. MOA has its own crystalline body, a graceful and comprehensive gesture, but the events that follow are not certain at all, let』s have a photograph exhibition, a concert, a movie premiere? Sure! Just as it was born, 「This building can be whatever it wants to be.」 Over the past two years, MOA has never ceased to be transformed, and it always has been waiting to be broken down and reshaped. For example, the metal curtain which separates the courtyard has been transformed into the lighting board metal frame door. The sunshine still goes through, but the space then has different expressions.
▼展覽牆，exhibition
▼不停演變的空間，developing space?張佳晶
小黑屋冥想空間的後續搭建。極亮與極暗都是光存在的形式。目外儘可能地承納了陽光，建築師卻也戲虐式地在它西側的這個空間里搭了一個小黑屋，用以研究小孔成像，也可以靜思冥想。對於光來說，小黑屋的內外是兩個極為不同的世界，它們互為對立面，反襯著對方。
The follow-up construction of the little dark room for meditation. Extreme bright and dark are all forms of light. MOA accepts the sun as much as possible, but the architect then built the little dark room in the west space of MOA in a playful way. This space is used to study on pinhole imaging, or for meditation. For the light, the little dark room and the outside are two very different worlds, they are mutually opposite, and in contrast with each other.
▼小黑屋，the dark room
「我有一千張面孔。」目外低聲呢喃著。建築師留下的那個開放式命題最終會被一點點解開。這裡悄然發生的一切，我們來過的痕迹賦予目外以靈魂。房子建好後，許多非日常性的事件發生於此，高目的18歲成人禮、有關居住建築的講座、龍涎香電影首映式、兩難/兩可吉他二重奏音樂會，甚至，目外的露台周末成為了瑜伽、靜坐冥想空間，當然還有小黑屋實驗、攝影展等等。
「I have one thousand faces.」 It whispers. The open proposition left by the architect will eventually unravel. What happened here would give MOA its soul. Ever since MOA was built, many non-routine events occurred here, for example, the coming-of-age ceremony of Atelier GOM, lectures about the residential architecture, movie premieres, duet guitar concert, even, the terrace space of MOA has become a Yoga space in the weekend ,and not to mention the pinhole imaging experiments and photograph exhibitions.
▼多變的空間利用形式，multi-functional spaces
目外的建造並未依靠什麼宏大的建築學理論，只是本能地去建造。它把姿態放的很低，對陽光，對風，對水它懷有崇敬，對流浪貓狗它提供了安生的場所，它歡迎一切造訪者，花草樹木或是人。也許正如所說的那樣，「當我們最謙卑的時候，便是我們最接近偉大的時候。」不同於傳統建築，目外始終處於一種不停變化的、生長的狀態，它一次次地挑戰著建築，觸碰它與自然的極限。它的生命，還在繼續。
The design of MOA didn』t rely on any grand architectural theories, just built instinctively. This building puts itself in a very low position, and it worships the sun, the wind, and the water. It provides resting places for stray cats and dogs, and welcomes any visitors, flowers, trees, or people. Maybe, as they said, 」 We come nearest to the great when we are in the most humble.」 Unlike traditional architecture, MOA is always in a state of constant change and growth, challenging itself again and again, hence touching its limits with nature. And Its life, is still going on.
▼外立面，facade
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