嘉靖十三年 倚夢軒 徐渭銘 端硯

「盛世的古玩，亂世的黃金」，一直被中國人視為投資的兩大真理。隨著民間收藏的升溫，古玩市場大有越來越繁榮的勢頭。現為廣大古玩投資者以及愛好者們提供了一個新去處！

【中華古玩藝術網】媒體公眾平台(曬寶交易)

嘉靖十三年 倚夢軒 徐渭銘 端硯

藏品介紹：

硯亦稱為研，漢族傳統手工藝品之一，硯與筆、墨、紙合稱中國傳統的文房四寶，是中國書法的必備用具。漢代劉熙寫的《釋名》中解釋：「硯者研也，可研墨使和濡也」。它是由原始社會的研磨器演變而來。初期的硯，形態原始，是用一塊小研石在一面磨平的石器上壓墨丸研磨成墨汁。至漢時，硯上出現了雕刻，有石蓋，下帶足。魏晉至隋出現了圓形瓷硯，由三足而多足，唐、宋時，硯台的造型更加多樣化。

硯台是伴隨著筆和墨的發展而發展起來的。較早出現的硯台是石硯。漢代由於發明了人工制墨，墨可以直接在硯上研磨，於是硯台開始發展起來，出現了銅硯、陶硯、銀硯、徐公硯、木胎漆砂硯等等，六朝至隋朝較突出的就是瓷硯的出現。唐代是硯台的重要發展時期，出現了端石和歙石兩大硯材，明清時期制硯的材質更加豐富，出現了瓦硯、鐵硯、錫硯、玉硯、象牙硯、竹硯等等。木硯研究始於何時，沒有定論，但以明清代居多。木材因其獨特的質感，被文人的浪漫情懷其與工匠的巧思融合在一起，為我們留下了許多頗為精美的文房陳設品。

隨著名硯的存世越發稀 少，許多硯台的投資收藏人，開始把收藏的目標瞄準更多具有收藏價值的硯台。比如說，明清時期，匯聚了全國能工巧匠在北京造辦處雕琢的各式硯台，因為，經過了歷史和工藝等的文化積澱，那個時期，在硯台材質選料、磨製工藝以及雕刻手法方面，已經到了一個相當成熟的階段，所以，全國各地都湧現出許多精 品。

近日，有幸徵集一款嘉靖十三年端硯，硯台的造型設計溫雅，製作工藝卓 越，色澤深沉，硯台由大葉紫檀木材雕琢而成，該木極其耐腐，材質硬重，是紅木中的上品。在板的中間寫著「倚夢軒」三字，左下方落款徐渭刻銘，右上方為製作年份「嘉靖十三年」，非常之優雅精美。

作為文房四寶之一的硯台，磨墨這個步驟是文人或藝術家在創作前較好 的醞釀形式，同時也是凈心的好方法，更可以怡情養性，陶冶情操。該款硯台看起來典雅莊重，雕刻紋理清晰乾淨，不僅具有很高的藝術價值，更因其特有的文化內涵而深得追求優雅和精 致生活情趣文人墨客的喜愛，所以硯台也就自然而然地成為收藏家獵取的對象。

硯台的材質精良，品相完好，手指輕擊之會產生非常醇厚的聲音，明代藝術家徐渭銘制記載硯的年代和硯的名稱及銘制人。刻制紋飾生動流暢，盒面字跡的大小，布局合理，重 點突出，是優 質的明代木硯，具有很高的藝術價值，收藏價值。

硯台登上歷史舞台，承載著文人雅士的審美觀，是古代文人雅士手中寶貝，只有他們這個階 層能讀懂其中趣味的玩具。硯台絕不僅僅是作為文房四寶之一，其還能修身養性、陶冶心靈，在你的整個人生中都能幫助你，帶給你寧靜的思考與靈感。隨著社會的不斷發展，人們對於文房四寶的追求也會越來越高，在未來這款硯台必將會受到關注。

It is also known as the research, one of the traditional handicrafts of the Han nationality, and the combination of pen, ink and paper is the traditional Chinese four treasures. It is an essential tool for Chinese calligraphy. In the "Release Name" written by Liu Xi in the Han Dynasty, it was explained: "There is also a researcher who can study the ink and make it." It evolved from the grinder of the primitive society. The initial sputum, the original form, was made by using a small stone on a stoneware that was smoothed on one side and pressed into ink. At the time of the Han Dynasty, there was a carving on the raft, with a stone cover and a foot. From the Wei and Jin Dynasties, there was a round porcelain enamel, which was rich in three feet. In Tang and Song dynasties, the shape of the ring was more diverse.

The downfall was developed along with the development of pen and ink. The platform that appeared earlier was Shi Jie. In the Han Dynasty, due to the invention of artificial ink, the ink can be directly polished on the enamel, so the cymbal began to develop. There were bronze gongs, pottery gongs, silver enamel, Xugong gongs, wooden tire lacquer enamel, etc. The six dynasty to the dynasty was more prominent. The appearance of porcelain enamel. The Tang Dynasty was an important development period of Fujian and Taiwan. There were two coffins of Duanshi and Meteorite. In the Ming and Qing Dynasties, the materials were more abundant, and there were corrugated, shovel, tin, jade, ivory, bamboo, etc. Wait. When the hibiscus research began, there was no conclusion, but it was mostly in the Ming and Qing dynasties. Due to its unique texture, the wood is blended with the craftsman"s ingenuity by the romantic feelings of the literati, leaving us with many beautifully furnished furnishings.

With the growing popularity of celebrities, many investment collectors in Fujian and Taiwan have begun to target their collections to more collectibles. For example, during the Ming and Qing Dynasties, a variety of martial arts craftsmen gathered in the Beijing office, because of the cultural accumulation of history and crafts, at that time, in the material selection, grinding process and carving techniques of Fujian and Taiwan. It has reached a fairly mature stage, so many boutiques have emerged across the country.

Recently, I was lucky enough to collect a 13-year-old Jiajing. The design of the platform is gentle, the production process is excellent, the color is deep, and the platform is made of large-leaf rosewood. The wood is extremely resistant to corrosion and hard and heavy. It is the top grade in mahogany. . In the middle of the board, the words "Yimengxuan" are written. The left bottom is filled with Xu Wei, and the upper right is the production year "Jiajing thirteen years". It is very elegant and beautiful.

As one of the four treasures of the study, the step of grinding ink is a better form of literati or artist before the creation, and it is also a good way to cleanse the heart, and it can also cultivate the sentiment and cultivate the sentiment. The platform looks elegant and solemn, and the carved texture is clear and clean. It not only has high artistic value, but also has its favorite cultural connotation and is deeply loved by the pursuit of elegance and exquisite life. Therefore, the platform will naturally become a collection. The object of hunting home.

The material of the ring is excellent, the appearance is good, and the finger tapping will produce a very mellow sound. The Ming Dynasty artist Xu Yuming records the age and the name and the name of the person. The engraved ornament is vivid and smooth, the size of the box on the surface, the layout is reasonable, and the emphasis is outstanding. It is a high-quality Ming Dynasty wooden coffin with high artistic value and collection value.

The platform is on the stage of history, carrying the aesthetics of the scholars. It is the treasure of the ancient literati, and only the layers of them can read the interesting toys. It is not only one of the four treasures of the study, but it can also cultivate and cultivate the soul. It can help you throughout your life and bring you quiet thoughts and inspiration. With the continuous development of the society, people"s pursuit of the four treasures of the Wenfang will be higher and higher, and this downfall will surely attract attention in the future.

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