清代 弘一法師 人物畫

「盛世的古玩，亂世的黃金」，一直被中國人視為投資的兩大真理。隨著民間收藏的升溫，古玩市場大有越來越繁榮的勢頭。現為廣大古玩投資者以及愛好者們提供了一個新去處！

清代 弘一法師 人物畫

規格： 長：136.5cm 寬：68.1cm

藏品介紹：

弘一法師，俗名李叔同，清光緒六年（1880年）陰曆九月二十生於天津官宦富商之家，1942年九月初四圓寂於泉州。他把中國古代的書法藝術推向了極致。作為高僧書法，弘一與歷史上的一些僧人藝術家存有差異，如智永和懷素，儘管身披袈裟，但似乎他們的一生並未以堅定的佛教信仰和懇切實際的佛教修行為目的，他們不過是寄身於禪院的藝術家，「狂來輕世界，醉里得真知」，這完全是藝術家的氣質與浪漫。

更為可貴的是，李叔同不僅大膽引入西方美術，而且十分重視中國傳統繪畫理論和技法，尤其善於將西洋畫法與中國傳統美術融為一體。他所畫的人物畫更是詩畫合璧，圖文並茂，為世人所稱道。

他苦心向佛，過午不食，精研律學，弘揚佛法，普渡眾生出苦海，被佛門弟子奉為律宗第十一代世祖。世人對其的評價為「書法如佛法，遍布全天下！寫字如修行，筆筆皆由心！」

他為世人留下了咀嚼不盡的精神財富，他的一生充滿了傳奇色彩，他是中國絢麗至極歸於平淡的典型人物。

整件藏品保存的非常完整，字跡清晰，文中開頭寫到「佛祖聖賢未有不以逆境.....」實乃弘一法師對其修行佛法之高深，此幅人物畫實數少見，其收藏價值不言而表，他的書法猶如渾金璞玉，精嚴凈妙，閑雅沖逸、樸拙中見風骨，以無態備萬態，將儒家的謙恭、道家的自然、釋家的靜穆蘊涵書藝之中，聞字猶聞佛法，愛而寶之者頓生歡喜心，得者珍如拱壁，堪稱中國歷代書法逸品中的逸品。

並且此件藏品還附有北京故宮博物院"單國強"老師的鑒定證書,單國強老師曾被譽為「中國古字畫鑒定第一人」的CCTV《尋寶》欄目著名書畫鑒定專家。

Introduction to Master Hongyi"s Portrait Collection in Qing Dynasty;

Master Hongyi, commonly known as Li Shutong, was born on September 20 in the lunar calendar of the 6th year of Guangxu in the Qing Dynasty ( 1880 ) in the home of rich officials and businessmen in Tianjin. He died in Quanzhou on the 4th of September 1942. He pushed the ancient Chinese calligraphy art to the extreme. As an eminent monk"s calligraphy, Hongyi is different from some monks and artists in history, such as Zhiyong and Huai Su. Although they are wearing robes, it seems that their whole life has not been aimed at firm Buddhist beliefs and sincere and practical Buddhist practice. They are just artists who have stayed in the Buddhist monastery, " crazy to light the world, drunk to gain true knowledge". This is entirely the temperament and romance of artists.

What is more valuable is that Li Shutong not only boldly introduces western art, but also attaches great importance to Chinese traditional painting theories and techniques, especially is good at integrating western painting with Chinese traditional art. The figure painting he painted is a combination of poetry and painting, with pictures and texts, which is praised by the world.

He devotes himself to Buddhism, does not eat after noon, carefully studies the discipline, carries forward the Buddhism, and helps all living beings out of misery. He is regarded as the 11th generation ancestor of the discipline by Buddhist disciples. The world"s evaluation of it is " calligraphy is like Buddhism, spread all over the world! Writing is like practicing, and the pen and the pen are all from the heart! "

He has left untold spiritual wealth for the world. His life is full of legends. He is a typical figure in China who is gorgeous and plain.

Recently, Xiamen Bodhi Richly collected a portrait of Master Hongyi of Qing Dynasty, with a vertical shaft and a collection size of 136.5cm wide and 68.1cm. The whole collection is completely preserved and the handwriting is clear. The beginning of the article reads " The Buddha Sage has never failed to face adversity ...." This is actually Master Hongyi"s profound knowledge of Buddhism. This portrait is rare in real numbers and its collection value is beyond description. His calligraphy is like a diamond in the rough, pure and neat. The elegance of leisure and simplicity, the simplicity of sincerity, the courage of character, the unpretentiousness of Confucianism, the naturalness of Taoism, and the serenity of Buddhism are all embodied in calligraphy. Those who hear words still smell Buddhism. Those who love and treasure are happy. Those who get them are as precious as arches. They can be called yi pin in the calligraphy yi pin of all Chinese dynasties.

Moreover, the collection is accompanied by the identification certificate of " Dan Guoqiang", a researcher at the Beijing Palace Museum. Teacher Dan Guoqiang is known as the famous expert of calligraphy and painting identification in CCTV"s " Treasure Hunt" column, who is " the first person to identify ancient Chinese calligraphy and painting".

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