詩意——新古鎮！浙江·紹興楓橋展覽館

設計 06-16

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楓橋縣是浙江省諸暨市的一座千年古鎮，因有「古越建都」、「楓橋三賢」之稱，在歷史上成為諸暨市東北部的文化中心。1962年的「楓橋經驗」在全國被譽為社會基層治理的典範。

Fengqiao, a thousand-year-old town in Zhuji, Zhejiang Province, has become a cultural center in the northeastern part of Zhuji in history due to the 「Gu Yue Jian Du」 and 「Fengqiao Sanxian」. The "Fengqiao Experience" in 1962 is known throughout the country as a model for social grassroots governance.

2015年，最初楓橋鎮政府業主要求建築師對楓橋鎮古鎮進行改造。在研究過程中，建築師經常把自己想像成古鎮未來的遊客。我想古鎮就是這樣的。我想去看看楓溪的那座舊橋。

我想了想，有一天，我突然想起，每當我來到這個古鎮，我就像尋寶一樣穿過街道。一般來說，要意識到這可能是個問題。因此，為地理位置較差的古鎮創建入口試驗區，成為業主一致的想法。

In 2015, the architect was originally asked by the government owners of Fengqiao Town to do the renovation of Fengqiao Ancient Town. During the research, the architects often think of themselves as tourists in the future of the ancient town. I think the old town of Guzhen is like this. I want to think about the old bridge in Fengxi. I think about it. One day, I suddenly remembered that every time I came to the ancient town, I walked through the street like a treasure hunt. In general, realize that this can be a problem. Therefore, creating an entrance pilot zone for the ancient town with a difficult location has become an idea that coincides with the owners.

織補-扭曲的形狀，詩歌和平衡

在小鎮上蓋房子和在城市裡不一樣。在城市，建設項目的起點可能是一張紅線圖。土地面積和土地邊界以黑白兩色清晰地顯示。我們面前的任務是在一個建築密集的區域。找到土地的易用性在這之間找到最優的解決方案。

Building a house in a small town is different from the city. In the city, the starting point of the construction project is probably a red line map. The land area and the boundary of the land are clearly displayed in black and white. The task before us is in a densely built area. Find the optimal solution between the ease and the ease of use of the land.

經過與業主的思考和討論，慢慢出現了一塊形狀奇特的土地:南側緊鄰我們剛剛改造的孝義老街，北側緊鄰當地的「母親河」楓溪，東西兩側。這是一座大小不一的現有建築。

After thinking and discussing with the owners, a strangely shaped land slowly emerged: the south side is close to the Xiaoyi Old Street that we have just renovated, and the north side is adjacent to the local 「Mother River」 Fengxi, both sides of the east and west. It is an existing built-up building with different sizes.

我們沒有選擇從當地最大的交通路線直接切入古鎮，而是選擇了這裡。

1.我們認為，以水、橋和渡古鎮的方式進入古鎮是富有詩意的；

2.古鎮與孝義老街煥發出勃勃生機；

3.這裡有幾棟廢棄的公房，它們不僅佔用了土地，阻礙了小規模的建設，而且拆除的新建築也可以作為廢物使用。

與此同時，還有幾個擾亂人們生活的木石作坊。採取這些措施也有利於人民。

We did not choose to cut directly into the ancient town from the largest local transportation route, but chose it here for three reasons: 1. We believe that it is poetic to enter the ancient town in the way of water, bridge, and crossing the ancient town; The ancient town and Xiaoyi Old Street renewed their vitality with each other; 3. There are several abandoned public houses here, which not only take the land to hinder the small, but also the demolition of the new construction can be used as waste. At the same time, there are also several wood stone workshops that disturb the people. Taking them is also a benefit to the people.

這種土地形態再次提醒我們，這是一個小鎮的設計。

沒有寬闊的車道，也沒有廣場。我們所要做的就是去適應這個城市的肌理，以最謙卑的態度融入這個城鎮。

不僅如此，對於已經密集的區域，當它同時放置並留白時，也是對空間的一種織補和改進。

This kind of land shape reminds us once again that this is a design in a small town. There is no wide driveway and no square land. What we have to do is to fit the texture of the town and integrate it into the town with the most humble attitude. Not only that, but for the already dense areas, it is a darning and improvement of space when it is placed at the same time and left blank.

激活-解決缺乏公共空間的問題

古鎮的入口，如果它只能進入古鎮，這個結果是令人失望的。楓橋古鎮及其周邊城市肌理極度缺乏居民的公共空間。

The entrance to the old town, if it can only be the entrance to the ancient town, this result is disappointing. The ancient town of Fengqiao and the surrounding urban texture are extremely lacking in the public space of the residents. We hope that this project can answer this question.

在孝義老街，我們有一個主廣場，周圍有一個聚會，歡迎來自四面八方的客人。這個空間通過水麵與城市隔開。在客人進來之前，他們需要爬上一座稍微隆起的橋，然後過河。跨過物質的橋樑，也完成了情緒的轉換。

在主廣場的東側，也有「映月」的重要意圖，不僅加強了詩意的氛圍，也成為了遊客和城鎮居民的拍照點。

For Xiaoyi Old Street, we have a main square surrounded by a party, which welcomes guests from all directions. This space is separated from the city by a water surface. Before guests come in, they need to go up a bridge with a slight uplift and cross the water. Cross the physical bridge and also complete the mood conversion. On the east side of the main square, there is also an important intention to 「reflect the moon」, which not only strengthens the poetic atmosphere, but also becomes a photo punching point for tourists and residents in the town.

面對楓溪，我們自己創造了另一個半封閉的廣場和相鄰的老房子和拱門。這個水邊廣場已經成為鳳溪兩岸道路上罕見的「虛擬」空間，同時也承載著古鎮日益增加的人流。人們環顧四周，或休息，或以古鎮為背景拍照。項目建成後的第一年，當地的民俗活動在這裡舉行，為當地人民提供了一個好地方。

Facing Fengxi, we created another half-enclosed square by ourselves and the adjacent old houses and arches. This waterside square has become a rare 「virtual」 space along the roads on both sides of Fengxi, and at the same time it has taken on the increasing flow of people in the ancient town. People look around, or rest, or take photos with the ancient town as a backdrop. The first New Year after the project was completed, the local folklore activities were held here, providing a good place for the local people.

該項目的功能，不僅僅是接待遊客，還包括展覽、商業、小型會議等功能，可以看作是對城鎮公共設施的補充。

The project"s functions, not just the reception of tourists, but also the functions of exhibitions, commerce, and small meetings can be seen as complementary to the public facilities in the town.

尋找意義——傳統建築精神的意境

在院子的中央，我們把一個玻璃盒子放在水上。把它放在一塊石紗布上，在水面上切一個半圓形的洞，一個明亮的月亮就會反射到水面上。中國古鎮應該有月亮。

In the center of the courtyard, we put a glass box on the water. Put it on a stone gauze, cut a semi-circular hole on the surface of the water, and a bright moon will be reflected on the water. The Chinese town of Guzhen should have a moon.

楓橋不僅有古鎮，還有山和水。盒子的表面，有意添加山和水，在夜晚，石頭上的光線流露出一絲微光。

除了即時的詩意，還有一種氛圍。古鎮入口的氛圍，我們用傳統建築的意境來傳達，不同的位置對應著不同的意境，或明或暗，各有其意義。

Fengqiao not only has ancient towns, but also mountains and water. The surface of the box, the intention to add mountains and waters, at night, the light in the stone reveals a slight light.

In addition to the instant poetry, there is still an atmosphere. The atmosphere of the entrance to the ancient town, we use the artistic conception of traditional architecture to convey, different positions correspond to different artistic conception, or obvious or hidden, each has its meaning.

結束

在五棟建築中有兩棟已經完成結構頂蓋的情況下，業主聽說為了應對「楓橋體驗」55周年，高層領導想把整個古鎮入口區域改造成楓橋。

體驗展廳，功能不再是古鎮的入口區域。設計團隊臨時調整了方案，增加了建築之間的室內走廊。

在保持原有入口區域整體風貌的前提下，與土建、展示團隊、景觀建設緊密配合，同時進行設計與施工，最終如期完成。成功舉行。

In the case that two of the five buildings have been structurally topped, the owner has heard the news that in order to cope with the 55th anniversary of the "Maple Bridge Experience", the higher leaders want to turn the entire ancient town entrance area into Maple Bridge. Experience exhibition hall, function is no longer the entrance area of the ancient town. The design team temporarily adjusted the plan and added the indoor corridor between the buildings. Under the premise of maintaining the general appearance of the original entrance area, it closely cooperated with the civil construction, exhibition team and landscape construction, while designing and constructing, and finally completed as scheduled. Successfully held.