表皮立面——五個錯落、疊著的「盒子」！

設計 07-08

La Gota文化中心是一座展覽類的復古空間，旨在新的Navalmoral城市中心創造一個能夠展示城市特徵新焦點的城鎮.詞源源於該地點建造的一座老建築，主人在而立之年通過牛奶解決了兒童營養不良的問題。

Cultural Center La Gota is a hybrid building for exhibition spaces that aims to create a new focus of urban centrality in Navalmoral (Caceres), showcasing the identity of the town. The etymology is rooted in an old building built in the same site, in the thirties, to solve the problems of child malnutrition through the "Drop of Milk".

該建築由畫家Sofia Feliu的固定展廳，煙草博物館和許多臨時性的展廳組成。文化中心的幾何結構是由煙草植物的結構決定的，其原理是平等和多樣性，我們在這些植物上也看到了這一點——葉片相似但也是獨一無二的。這座建築包括一個垂直交流的核心空間和以相同尺寸和形態的植物種植的結構，該結構只在不同的高度和特徵上有些許的偏移。

It hosts temporary spaces, a permanent exhibition for the painter Sofia Feliu and a Tabaco Museum. The geometry of the Centre is attributed to the structure of the tobacco plant with the principle of equality and diversity that we also see in these vegetables -the leaves are similar but different at the same time-. The building contains a core for vertical communication and a structure from which plants appear with equal size and morphology, but with different heights and characters that are slightly offset.

在室內，建築通過一種陶瓷織物帶來了該煙草乾燥建築的光線氛圍，這種陶瓷織物的靈感來自於這類建築中發現的傳統磚。光線通過立面上的小孔有組織的進入室內空間。建築外立面利用磚牆組織可以過濾陽光，這種精細的幾何形式一定程度上也弱化了建築的外立面。

Inside, the building brings the atmosphere of the light from the tabaco drying-building through a ceramic fabric inspired by the traditional brick found in these kinds of buildings. Light enters -in those spaces that the program allows- through the holes in the facade. This produces a dematerialized facade with refined geometries, which allows the filtration of sunlight through the walls.

建築的後張拉結構允許通過加固措施，增大跨度和減少板的邊緣。該系統提高了混凝土的承載能力，減少了混凝土的變形和開裂，從而提高了混凝土的使用壽命。所以，材料的使用更有效率，結構的重量也隨之減輕。

The post-tensioned structure of the building permits, through active reinforcements, large spans and reduced edges of the slabs. The system increases the bearing capacity of concrete, reducing its deformation and cracking decreases, thus increasing its life. So, the use of the material is more efficient and there is a reduction in weight of the structure.

該中心的五個樓層分別位於五個錯開的盒子里，這些盒子一個疊著一個。懸浮在空中的盒子，地板也是交錯開的，這突出了「另一個」盒子的效果。

The five floors of the Centre are set on five displaced boxes, one above the other. The floors are staggered in the areas where boxes are flying to create the effect of a box "on the other."

立面由雙層表皮組成，由玻璃牆和名為FLEXBRICK的陶瓷織物組成。該結構在不影響室內視線的同時也產生了保溫層，在夏季也可以隔熱，由此形成了煙草乾燥建築的外型。

The facade is made up of a double skin composed of a glass-wall and ceramic-fabric named FLEXBRICK. In this way a thermal space is created and it directs the views from the inside, prevents heating in the summer season and forms a picture of the tobacco drying-buildings.

植物牆從Tabaco博物館延伸到外部，也用來講解煙草的種植和該植物的起源。夏季植物牆靈活的貯存建築在夏天為建築降溫，從而節約能源。中心在相鄰的建築之間有一些空間，允許創建一個公共廣場，一邊是綠色牆壁，另一邊是陶瓷網格。

The green wall extends from the Tabaco Museum to the exterior, being a didactic wall with tobacco plants and vegetation of the region. It will also allow cooling for the building in summer with a consequent energy savings. The Center has some space between the adjacent building allowing the creation of a public square flanked by the green wall on one side and ceramic mesh on the other.

立面是一個工業化的柔性陶瓷系統，覆蓋了整個建築，不同的圖紙是由不同的明度和暗度產生的。該系統由編織鋼筋組成，其中的陶瓷件插入網格，使外立面的組織更加靈活、多樣、可變。

The facade is an industrialized system of flexible ceramic that covers the entire building with different drawings that are produced by various lightness and darkness inside. The system consists of braided steel bars in which the ceramic pieces are inserted into the grid, allowing flexibility, versatility and variability.

結合煙草乾燥大樓外立面設計圖紙，建築師採用了1.00m和0.75m兩個模數的陶瓷磚。陶瓷磚網的上部利用螺紋釘固定在樓板上，為抵擋風荷載，磚網底部利用繩子栓在固定點上。

The ceramic facade is divided into modules of 1.00m. and 0.75m. that combines to form the outer drawing that comtemporizes the tobacco drying-buildings. The ceramic mesh is hugging the upper guides screwed to the slabs and tethered to an anchor point for the wind at the bottom.