小體量辦公建築

設計 07-15

該藝術孵化器，也被稱為Stecca 3，位於米蘭Porta Nuova的心臟地帶，自2005年以來，該地區一直是一個廣泛的城市重建項目的主題。與周圍那些高聳的摩天大樓相比，這座新建築的規模要小得多。它面朝南，坐落在Parco della Biblioteca degli Alberi大街上，而它的東北方則是Riccardo Catella Foundation及其花園。在重要的既有建築和綠色空間的背景下，孵化器在城市的一部分和正在建設的大型公園之間發揮著聯繫作用。

The Incubator for Art, also known as Stecca 3, is located in the heart of Milan』s Porta Nuova, a district that since 2005 has been the subject of an extensive urban redevelopment project. Relatively small in size compared to the monumental verticality of the skyscrapers that surround it, the new building faces south on the Parco della Biblioteca degli Alberi while it is flanked to the northeast by the Riccardo Catella Foundation building with its garden. In this context of significant pre-existing buildings and green spaces, the incubator plays the link role between a part of the city and the large park under construction.

它位於一個正在發生巨大變化和受到迅速變革的地區，這意味著該綜合體具有社會、經濟和關係方面的重要性，使它能夠作為一個基本的聯繫和會議中心發揮作用。實際上，藝術孵化器位於舊的Brown Boveri工業大樓的遺址上，這是所謂的「stecca degli artigiani」的一部分，在該地區的重建過程中被拆除，因此繼承了它的重要遺產:從20世紀80年代起，該結構成為眾多自主經營的手工作坊和共享的城市規劃活動的參考點，以及一個包羅萬象的社會中心，其中有大量的協會基礎。

Its location in an area undergoing great change and subject to rapid transformation has meant that the complex took on social, economic and relational importance that allowed it to acquire a role as a fundamental center for association and meeting. In actual fact the Incubator for Art stands on the site of the old Brown Boveri industrial building, part of the so-called 「Stecca degli artigiani」 and demolished during the redevelopment of the area, and as such has inherited its important legacy: from the 1980s the structure had become a reference point for numerous self-managed craft workshops and shared urban planning activities as well as an all-embracing social center where a large number of associations were based.

在Boeri的新項目中，後者已經鞏固了他們的地位，並增加了其他項目。為了保持該地區的社會特性，米蘭市議會每五年就發起一次招標，以便文化、自願和參與性活動能夠與目標受眾（從青年會議群體到環境可持續性）交替進行，從多文化融合到兒童活動，從自我生產到檔案活動。

In Boeri"s new project, the latter have now cemented their place and others have been added. Furthermore, in order to keep the social character of the place alive, every five years the Milan City Council promotes a call for tenders so that cultural, voluntary and participatory activities can alternate with a target audience ranging from youth meeting groups to environmental sustainability, from multicultural integration to activities for children, from self-production to archival activities.

其基本理念是保持新的藝術孵化器的工業特性:使用廉價的建築材料和技術，例如由干裝鋁板製成的穿孔框架，並決定恢復20世紀晚期米蘭工業和手工結構的典型體量和顏色。該空間由一個約800平方米的平行六面體組成，分為兩層。一層有3個不同大小的大型實驗室，以及兩個較小的多功能空間，而上層有一個開放的空間，可以舉辦會議和展覽。

The basic idea was to maintain an industrial character for the new artistic incubator: cheap construction materials and techniques were employed, such as the perforated frame made of dry-mounted aluminum sheets and it was decided to resume the volume and colors typical of the industrial and artisanal structures of the Milan of the late twentieth century. The space consists of a single parallelepiped of about 800 square meters divided into two floors. On the ground floor, there are 3 large laboratories of different sizes, as well as two smaller multi-functional spaces, while on the upper floor there is an open space where conferences, meetings, and exhibitions can be held.

從外部看，金屬包覆層由面板的接縫和垂直於牆壁的同尺寸的brise-soleil所提供的長開口垂直地隔開，創造了前所未有的光的相互作用。建築向周圍的城市開放，通過各種形式的設計與緊湊內向的形式形成了鮮明的對比，包括南側和東側懸挑屋頂的明顯和巨大的突出部分，以及北側的大通高窗，展示了這座由文化中心組織的活動城市。頂棚下面向公園的樓梯通向一個半開放的空間，用作一樓的中庭。

On the outside, the metal cladding is punctuated vertically by the joints of the panels and by the long openings provided by a brise-soleil of the same dimensions which is perpendicular to the wall and which creates unprecedented interplays of light. The building opens up to the surrounding city, contradicting its compact and introverted form through various formal devices including the obvious and massive protrusions of the cantilevered roofs on the south and east sides and the large full-height window to the north which offers a showcase featuring this city of activities organized by the cultural center. A staircase below the canopy facing the park leads to a semi-open space used as the first-floor atrium.

「滿」與「空」的交替引發了一種有趣的物質二元論，這種二元論在試圖照亮一個之前從未見過的看似巨大的軀體時得到了解決。金屬板環繞著屋頂，屋頂上安裝了一系列光伏板。此外，為了減少能源消耗，該建築還配備了一個用於房間供暖的熱泵。室內空間的設計傾向於中性的色彩，牆壁和傢具的劃分也很靈活:所有的房間和空間都以白色為主，使的看起來很明亮，並始終適合在室內開展活動。

The alternation of full and empty triggers an interesting material dualism which is resolved in the attempt to lighten a seemingly massive body that is not previous to view. The metal sheet also embraces the roof, which houses a series of photovoltaic panels. Moreover, in an attempt to reduce energy consumption, the structure is equipped with a heat pump for heating the rooms. The interior spaces are designed with a tendency towards neutrality in terms of colors, and flexibility regarding the division of walls and furniture: white dominates and is found in all the rooms and spaces making them bright and constantly suitable for the activities carried out within.